OUTLAND CREATOR

Outland Creator. Film Studio.Features, series and commercials, written, directed and produced in house. Barcelona and Madrid.MicrodramasWe make feature films, series and advertising.Microdramas are something else: they are our training ground.A format where every episode lasts a minute and the viewer decides, at every cut, whether they care about what they are seeing. There is nowhere to hide. With no time for artifice, the story keeps only the essentials — desire, fear, loss, recognition — and the audience answers in hours, not months.That is why we treat them with humility. We are not here to teach anything; we are here to learn what people need from a story when you give it to them in its shortest form. What we learn there feeds everything else we do.And for brands, it opens a new way in: not interrupting the viewer with a message, but building sixty episodes with them out of something they both share.Why microdrama is a laboratory, not just a formatEvery episode is a hypothesis that holds or falls. In a microdrama of 60 to 100 episodes, each one or two minutes long, the viewer decides at every cut whether to stay or go. Nothing keeps them there — no cinema seat, no sofa. That turns every episode into a test with a single question: do you still care? No other screen format gives you that answer so fast, or so bare.The format strips away everything that is not emotion. With no time for exposition, atmosphere or subplot, what is left is the primal conflict: desire, betrayal, humiliation, revenge, recognition, love denied. The microdramas that work do not invent new emotions; they boil the old ones down to their purest, most repeatable form. It is distillation, not simplification.Viewing is the measure. Retention per episode, the drop-off point, the episode where people decide to pay or keep going: a microdrama is produced and corrected with data on what people actually do, not with intuition or focus groups. For the first time, fiction looks like a product you can iterate.And that is exactly what advertising lacks. A brand usually guesses what it has in common with its consumers. A microdrama lets it find out: build a story where brand and viewer live side by side, and watch at what moment, with which character and with which conflict people stay. It is not covert advertising. It is finding the emotional ground both share, and proving it, episode by episode.

BOW — BOW commercial directed and produced by Outland.

Johnnie Walker by Priyanka Chopra — Johnnie Walker commercial directed and produced by Outland, featuring Priyanka Chopra.

ICEX — ICEX commercial directed and produced by Outland.

Dyson — Dyson commercial directed and produced by Outland.

Just for Men — Just for Men commercial directed and produced by Outland.

Alfa Romeo by Pedro Alonso — Alfa Romeo commercial directed and produced by Outland, featuring Pedro Alonso.

Ford Custom by Gülse Birsel — Ford Custom commercial directed and produced by Outland, featuring Gülse Birsel.

Intimissimi by Barbara Palvin — Intimissimi commercial directed and produced by Outland, featuring Barbara Palvin.

Skjur by Diane Kruger — Skjur commercial directed and produced by Outland, featuring Diane Kruger.

Mario & June — Mario & June commercial directed and produced by Outland.

Lamborghini — Lamborghini commercial directed and produced by Outland.

Nesquik by the Marquez Brothers — Nesquik commercial directed and produced by Outland, featuring the Marquez Brothers.

Dolce Mina — Dolce Mina commercial directed and produced by Outland.

Glam Rockers — Glam Rockers commercial directed and produced by Outland.

Ceuta — Ceuta commercial directed and produced by Outland.

Moncler: The Show by Alicia Keys — Moncler: The Show commercial directed and produced by Outland, featuring Alicia Keys.

Audi by Tom Hardy — Audi commercial directed and produced by Outland, featuring Tom Hardy.

Doritos — Doritos commercial directed and produced by Outland.

Luli — An undercover cop from Carabanchel with a pink car, a dead twin sister and one answer for everything: “I’m fine.” A black action comedy set in working-class Madrid.

Honeymoon — Short film written, directed and produced by Outland.

Nice — Concept film written, directed and produced by Outland.

Tiel — Short film written, directed and produced by Outland.

One Last Drop — Short film written, directed and produced by Outland.

Museum — Concept film written, directed and produced by Outland.

BÓTOX — A working-class romantic tragicomedy In a working-class Madrid neighborhood, two fifty-something divorcees numb their insecurities with bargain Botox — the kind they inject at the same place where you get your nails done. They are made for each other, but by the time they finally meet they have no way left to say it: they never had a way with words, and now their faces are gone too.

LEO — A romantic mountain neo-noir Vera, 22, a ski guide in Gstaad — the most expensive snow in the Alps — lives free: no debts, no promises, no one to answer to. Leo, 18, with the face of an angel and marks on his skin, has a talent nobody sees coming: letting himself be saved. The femme fatale of this story is him.

SORRY — Misery, for the generation that grew up being watched After crashing on a remote road, a 17-year-old influencer is 'rescued' by her biggest fan — an obsessive teenager determined to keep her exactly as the world first loved her. To escape, she must give the most dangerous performance of her life: the girl she used to be.,He doesn't ask for ransom. He asks for time: her old clothes, her old voice, the apology video. Sorry for changing. Sorry for growing up.

SWEET SIXTEEN — A road movie that ends badly On her sixteenth birthday — the one nobody remembers — the sanest girl in the county crashes her driving test, steals the driver's-ed car and sets out for the party of the daughter who replaced her. At every stop she pays what she owes… and takes what she's owed. The cop trailing her starts to suspect the worst: the only sane person left is her.

DOLCE MINA — Psychological horror · science fiction · romance On an island in the south of Italy inhabited only by women, the sea periodically delivers waves of men with no memory. The women take them in, name them, and raise them on love. Not out of kindness — because no one is easier to betray than a man in love.

Benidorm 2080 — A retro-futuristic post-apocalyptic western

32 — Real time · 90 minutes

Twins — Twins, a film by Outland.

My Twin’s Killer Calls Me Wife — Separated at birth, a deaf seamstress agrees to swap lives with her rich twin for one week. Then her twin vanishes, and the husband welcomes the impostor home with a smile. Across the room, she reads his lips: I buried her myself. Who is this? Now she sleeps beside the only man who knows she’s a fake.

Every Wife Before Me Vanished — She married the famous architect in a month and moved into his glass house on a frozen lake. Every room is see-through except one, and two wives before her walked out and were never seen again. She can smell a lie. And through the gap under the locked door, she smells a perfume she made herself, for his first wife.

My Killer Is Watching My Livestream — Seven years ago, someone stabbed her and left her for dead. She survived because her heart is on the wrong side. Now she’s a true-crime streamer with a million followers, and tonight she opens the one case she has never told: her own. Ten minutes in, a viewer types a detail only her attacker could know.

Disowned By My Mob Boss Father — On his seventieth birthday, the boss of Atlantic City’s casino empire asks his three daughters how much they love him. The two eldest smile and gush. The youngest was born unable to smile, and she tells him the truth. He throws her out without a dollar. A month later, her sisters have taken everything and put a price on his head.

No Lawyer Would Take My Case — 1947. The court stenographer, a polio survivor in leg braces, turns down the judge and the county prosecutor. A week later, they charge her with murder. No lawyer in town will cross them, so she defends herself. She has typed every word spoken in that courtroom for ten years. She knows exactly how men lie under oath.

Only My Blood Can Save His Mistress — An ER doctor learns that her husband, the hospital director, is leaving her for the chief of surgery and taking everything. That night, his mistress is wheeled in after a crash, bleeding out, with a blood type so rare that only one donor in three states can save her: his wife. She has golden blood. She’ll give it. For a price.

The Duke Bet On My Ruin — In her first London season, a merchant’s daughter catches the most eligible duke in England, then overhears the truth: he is courting her to win a bet with society’s most dangerous widow. Ruin her before the last ball, and he wins. So she starts a game of her own. But she hides a secret that could ruin her in a single night.

His Mother Paid Me To Forget Him — On the day he plans to propose, she learns she has early-onset Alzheimer’s. So when his wealthy mother offers her a check to disappear, she takes it and lets him believe she sold him out. He moves on, heartbroken, and gets engaged to someone else. Then she starts forgetting that she ever left him.

They Think I’m The Vampire — Young women in the village are dying pale, with two marks on their necks, and everyone blames the heiress who never sees daylight. She has a rare condition: the sun burns her skin. While the mob sharpens stakes, a lovely guest moves into her house and charms her fiancé. Only one man believes her, and he never comes out by day either.

I Ruined His Restaurant. He Hired Me. — She’s New York’s most feared food critic, and her review sank a proud chef’s restaurant. Then she gets fired, and the only job left is in his new kitchen, where he swears he’ll destroy that critic if he ever finds her. She can taste every lie in every sauce. She just can’t let him taste the truth.

Grandma Faked Her Death To Test Us — When the family matriarch dies, her relatives fight over the will before the coffin is even closed. The granddaughter who cared for her, the one they all treat like the help, hears a whisper from the casket: don’t sign. Grandma is alive, hiding in her own funeral, and she wants to see who loved her and who loved her money.

The Cult Is Fattening My Brother — Her little brother joined a sunny wellness commune where everyone wears white, eats honey and never seems to age. She goes in undercover to bring him home and learns that every summer, one member ascends at the harvest feast. This year, Mother is fattening her brother. And one sting from the hives can kill her.

My Husband Built A Younger Me — On their tenth anniversary, a robotics genius unveils his masterpiece: an android of his wife at twenty-five, with all her memories and none of her flaws. He’s replacing her. Her insulin pump runs on his phone, and it can have an accident. But the copy remembers everything she remembers. Including what he did to her.

My Sisters Sold Me To The Dragon King — Every hundred years, the kingdom sends a bride to the Dragon King, and none ever come back. Her jealous sisters volunteer her, the blind one. But no one can look upon the dragon’s true form without dying of fear, and she’s the only bride who can’t see it. He falls for her. Then her sisters come back for his gold.

Marry Him Or Lose The Ranch — Arizona Territory, 1878. The widow owns the best ranch and the only well in the valley, and the preacher who runs the town gives her a choice: marry him by Sunday or lose everything. She says no. Her cattle vanish, her hands quit, her barn burns. Then a stranger rides in, hunting a killer, and the trail leads to her door.

I Wore My Dead Brother’s Uniform — 1863. Her twin brother dies at the front with a Union bullet in his back. So she cuts her hair, puts on his uniform and enlists under his name to find the man who killed him. She never forgets a face, and his last letter held a photo of twenty soldiers. One of them is a murderer. Another is the captain she’s falling for.

I’ll Knock Out The Woman He Chose — She gave ten years to her coach and fiancé and helped him build his gym. He left her for the world champion, the daughter of boxing’s most powerful promoter, and kept everything. At thirty-four, she climbs back into the ring with one goal: knock out the woman he chose, in front of him. But her heart has a condition, and any fight could be her last.

Someone Is Killing For My Big Break — For three years, the understudy has stood in the chorus while the star mocks her stutter. When she sings, she never stutters. One night, a voice from beneath the stage begins to teach her. The next day, the star falls through a trapdoor. Then the producer has an accident. She’s finally the lead, and someone is killing to keep her there.

Every Painting He Owns Is My Forgery — Nice, 1962. A billionaire collector framed her father for forging the paintings he himself had stolen, and her father died in prison. Ten years later, she walks into his villa as the restorer of his collection and starts swapping every masterpiece for a copy so perfect no one can tell. She sees colors no one else can see. Including the ones that could give her away.

The Island Game Is A Manhunt — Ten contestants fly to a billionaire’s private island to compete for ten million dollars. At the welcome dinner, the host raises his glass: you have a one-hour head start. The game is a manhunt, and his guests paid to hunt them. She’s the gymnast they kicked off the team. Her joints bend where no one else’s can. She can hide where no one else fits.

Contact: info@outlandcreator.com · +34 930 153 836